Act 2, scenes 4—5 Summary:
This line leads many readers to believe that Romeo and Juliet are inescapably destined to fall in love and equally destined to have that love destroyed.
Though the Prologue offers the first and perhaps most famous example of celestial imagery in Romeo and Juliet, references to the stars, sun, moon, and heavens run throughout the play, and taken as a whole that imagery seems to express a different view of human responsibility.
The crucial letter from Friar Lawrence goes missing due to an ill-timed outbreak of the plague.
Romeo kills himself mere moments before Juliet wakes up. Their friends, their families, and their society each played a role in creating the tragic circumstances. Either Romeo or Juliet, it is suggested, could have halted the headlong rush into destruction at any of several points.
His impulsiveness has made him a romantic icon in our culture, but in the play it proves his undoing. Through his hasty actions, Romeo arguably drives the play toward tragedy more aggressively than any other character. He kills Tybalt in a blind rage. Then, thinking Juliet dead, he poisons himself.
Romeo never thinks his actions through, and his lack of foresight makes him responsible for their dire consequences.
Though Juliet proves a strong-willed partner for Romeo, she bears less of the blame for their joint fate because she, at least, is wary of the speed at which they progress. In the balcony scene, she compares their love to lightning, which flares up suddenly but can just as quickly fade into darkness.
She agrees to marry him because she needs evidence that he is truly committed to her. Though each of her choices ends up getting her and her lover deeper into trouble, those choices are at least the result of sober, careful reflection.
Only when she sees her beloved dead does she succumb to his style of rashness, killing herself out of grief. In the closing family portrait, the Capulets and the Montagues gather around the tomb to witness the consequences of their absurd conflict.Baz Luhrmann's film Romeo and Juliet includes everything Shakespeare intended in his play: hate, violence, and a forbidden love leading to tragic suicide.
Luhrmann has cleverly taken the play and enacted it in a way that includes all the main elements of Shakespeare's version of the story, combined with the elements of a modern action film. A summary of Act 2, scenes 4–5 in William Shakespeare's Romeo and Juliet.
Learn exactly what happened in this chapter, scene, or section of Romeo and Juliet and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. This new disc, recorded in March , comes into the most direct competition possible with the previous recording.
That was made in November by Decca, also at the Royal Ballet with the same production but with a different cast and a Russian conductor. In Zeffirelli's version of the film, Tybalt instead discusses his protest to Romeo's attendance with Lord Capulet.
The play features Juliet delivering a drawn-out soliloquy contemplating the risks of drinking the sleeping potion (). The script has bigger problems than simply clashing tendencies in naming.
There’s a lot of screenwriting missteps here, starting with the tendency to drop in expository dialogue in the least. [tags: Movie Film comparison compare contrast] Free Essays words ( pages) Comparing and Contrasting Shakespeare's Play Romeo and Juliet and the Movie Version.